I can read difficult hands
I'm a trained palaeographer — I transcribe seventeenth-century wills for a living. Faded ink, crossings-out, a shaky late hand, marginal insertions and pages written in pencil forty years ago are all ordinary work here.
Where a passage genuinely can't be read, I mark it and tell you, rather than guessing and hoping you won't notice.
I know what a manuscript should look like
I write novels myself, and I trained as a copy editor with the CIEP. I know standard manuscript format, how chapters break, how dialogue is set, what an agent expects to open.
You get a document that reads as a book, not as text poured into a blank page.
Confidentiality is my day job
Thirty years as a legal secretary, document production technician and transcriber, including some of the top firms in London. Discretion isn't a promise on a website — it's the discipline I've worked under for my entire career.
Nothing is subcontracted. Nothing is sent offshore. I sign a confidentiality agreement before I start.